Global Popular Music

Routledge Global Popular Music Series

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Made in Ireland
17. Hip Hop Interpellation: Rethinking Autochthony and Appropriation in Irish Rap

17. Hip Hop Interpellation: Rethinking Autochthony and Appropriation in Irish Rap

J. GRIFFITH ROLLEFSON

Playlist #4 (Part 3, Chapters 13-17)

GPM

New volumes

Made in Finland
Made in Ireland

Popular Music in Ireland: Mapping the Field
01. A History of Irish Record Labels from the 1920s to 2019
02. Broadcasting Rock: The Fanning Sessions as a Gateway to New Music
03. Don’t Believe A Word? Memoirs of Irish Rock Musicians
04. Raging Mother Ireland: Faith, Fury and Feminism in the Body, Voice and Songs of Sinéad O’Connor
05. “Missing From the Record”: Zrazy and Women’s Music in Ireland
06. “Alternative Ulster”: The First Wave of Punk in Northern Ireland (1976-1983)
07. Irish Lady Sings the Blues: History, Identity and Ottilie Patterson
08. The Politics of Sound: Modernity and Post-Colonial Identity in Irish-language Popular Song
09. Communal Voices: The Songs of Tom a’ tSeoighe and Ciarán Ó Fátharta
10. Popular Music as a Weapon: Irish Rebel Songs and the Onset of the Northern Ireland Troubles
11. “…Practically Rock Stars Now”: Changing Relations Between Traditional and Popular Music in a Post-Revival Tradition
12. “Other voices” in Media Representations of Irish popular music
13. Assembling the Underground: Scale, Value and Visibility in Dublin’s DIY Music Scene
14. Parochial Capital and the Cork Music Scene
15. Death of a Local Scene? Music in Dublin in the Digital Age
16. Fit for Consumption?: Fanzines and Fan Communication in Irish DIY Music Scenes
17. Hip Hop Interpellation: Rethinking Autochthony and Appropriation in Irish Rap

18. Making Spaces, Saving Places: Modern Irish Popular Music and the Green Turn
19. Songs of Love: A Conversation with Neil Hannon (The Divine Comedy)

Made in Germany
Made in Taiwan
Made in Yugoslavia
Made in Hong Kong
Made in Poland

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